• 就这样,吧 That’s All Folks! Dance Theatre 舞蹈剧场

    师从帕帕约阿努与皮娜鲍什,乌帕塔尔舞蹈剧场资深舞者,电影《皮娜》出演者的舞蹈剧场计划
    活跃于欧洲各大艺术节的舞蹈+戏剧+跨学科团队2024年新作

    It ends with a bow, it begins with a body. That's all? You haven't seen anything yet.

    演出团体:Bigi/Paoletti FRITZ Company(意大利)

    英文演出,中英文字幕

    剧目时长:55分钟

    演出时间:2025/9/3 19:30、2025/9/4 19:30

    演出地点:上海话剧艺术中心·戏剧沙龙(安福路288号3楼)

    演出票价:180元/280元

    *因剧情需要,本演出含有部分身体裸露的内容

    *建议年龄16岁以上观众观看

    By Bigi/Paoletti FRITZ Company [Italy]

    English Performance, English & Chinese Surtitles

    Duration: 55 minutes

    Date: 2025/9/3 19:30, 2025/9/4 19:30

    Address: Shanghai Dramatic Arts Centre- Drama Salon

    Price: RMB 180/280

    *This show contains some physical nudity due to plot requirements

    *Suitable for 16 year old or above

    四位人物悬置在一个未被界定、转瞬即逝的空间中——一种“灰色地带”,象征着无法回头的临界点,引导他们踏上通往“非时间”与“非空间”的旅程。在这里,他们面对一种边界状态:理性与非理性交汇的维度,也因此触及了潜意识中的记忆片段。

    《就这样,吧》的灵感来源于天文学中关于黑洞的“事件视界”概念,讲述了个体被拉入未知领域所产生的身体性眩晕感——一个没有中心轴线、没有固定视角的空间,一切都在持续变动中逐渐瓦解,流动、生成、不停演化。它是意大利Bigi/Paoletti FRITZ剧团关于舞蹈、科学与神话的三部曲之一,寻找将宇宙起源、天文物理概念与舞蹈结合的可能。

    That's All Folks! is conceived as an ideal continuation of Fritz Company’s previous work, Un Discreto Protagonista, forming the second chapter in a trilogy that brings dance, science, and myth into dialogue.

    Inspired by the concept of a black hole’s event horizon, it tells of the physical vertigo of being pulled into the unknown, where no central axis or fixed perspective remains, and everything dissolves into a flow of constant becoming.

    Four characters are suspended in an undefined, ephemeral space– a sort of grey zone that marks the point of no return on a journey toward a non-place and non-time. Here, they confront a liminal dimension, an intersection of rationality and irrationality, which draws them into contact with their unconscious memory.

    Bigi/Paoletti FRITZ Company

    Bigi/Paoletti FRITZ Company 既是一个艺术项目也是一个舞蹈剧场团体,由编舞/舞者达米亚诺·奥塔维奥·比吉(Damiano Ottavio Bigi)与演员/导演/编舞阿莱桑德拉·保莱蒂(Alessandra Paoletti)于 2020 年共同创立。两人于 2013 年在伊斯坦布尔相识,并开始合作。首部合作作品是为伊斯坦布尔市立剧院创作的《回家,献给我的父亲》(Yuvaya Dönmek, Babam için – Back Home, to My Father)。此后,他们持续在教学与创作道路上并行前进,携手来自不同文化与艺术背景的艺术家展开合作。

    Bigi/Paoletti FRITZ

    Bigi/Paoletti FRITZ Company is an artistic project and dance-theatre company founded in 2020 by Damiano Ottavio Bigi and Alessandra Paoletti. They met in Istanbul in 2013, where their collaboration began with Yuvaya Dönmek, Babam için – Back Home, to My Father, a work created for the Istanbul Municipal Theatre. Since then, they have pursued both pedagogical and creative paths, meeting people from diverse artistic and cultural backgrounds.

    Their work arises from a dialogue between different languages, moving between dance, theatre, and visual arts.

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    演职人员 Credits

    创作Creation:Damiano Ottavio Bigi , Alessandra Paoletti

    表演者Performers:Damiano Ottavio Bigi, Ching-Ying Chien, Issue Park / Dylan Phillips / Alessandro Ottaviani, Faith Prendergast / Daisy Ransom Phillips

    声音编排与设计Sound Arrangement and Design:David Blouin

    音乐Music:David Blouin, Colin Stetson / Sarah Neufeld Duo, Gary’ Oslide, Henry Purcell, Hank Williams

    灯光设计Lighting Design:Lucien Laborderie

    舞美与服装Stage and Costume Design:Cooperation with Tzela Christopoulou

    布景制作Scenery production:Marios Karaolis

    材料提供Material Provision:与舞者合作完成Cooperation with dancer

    联合出品Coproduction:Festival Equilibrio Roma, FRITZ Company, Compagnia Simona Bucci , Degli Istanti, Fondazione Fabbrica Europa per le arti contemporanee, PARC performing arts research centre

    支持单位Support:Pina Bausch Zentrum (Wuppertal), 2 WORKS / Dimitris Papaioannou, Istituto Italiano di Cultura di Colonia

    合作机构Cooperative Agency:NID Platform, CHATHA Lyon, Centro di Residenza della Toscana (Armunia - CapoTrave / Kilowatt), Tanz + Zwicky Zurich, CROSS Project Verbania

    特别感谢Dimitris Papaioannou的宝贵支持

    Special thanks to Dimitris Papaioannou for its valuable support

    同时感谢:Tina Papanikolau, Bettina Milz, Felicitas Willems, Aicha M’Barek & Hafiz Dhaou, Gerarda Ventura, Alessandra Stanghini

    Thanks to: Tina Papanikolau, Bettina Milz, Felicitas Willems, Aicha M’Barek & Hafiz Dhaou, Gerarda Ventura, Alessandra Stanghini