曼谷一间公寓的小厨房。一对有华裔血统的姐弟，在不同的年份的五月里的三天，回到这里，以传统的中国仪式纪念他们已故的父亲。他们做饭、吃饭、聊天、说笑，无所事事。他们的沉默寡言与他们引人入胜、常常荒诞不经的对话形成鲜明对比。过去、现在和未来巧妙地交融在一起，并与泰国大都市的社会政治背景联系在一起。由泰国当代戏剧的代表人物维恰亚 阿塔玛编剧及导演，这部近几年被国际各大戏剧节竞相邀请的亚洲小剧场作品，聚焦于个人历史与时代、仪式与平淡以及时间之间的关系。

A small kitchen space in Bangkok. A brother and sister live through three days there in May, each time in a different calendar year, to commemorate their deceased father in a traditional Chinese ceremony. They

cook, eat, chat and joke about nothing in particular. Their retiring nature contrasts with the captivating and often absurd conversations they engage in. Past, present and future blend subtly and are connected to the political context of the Thai metropolis. Directed by award-winning director Wichaya Artamat, who has been recognised as a leading figure in contemporary Thai theatre, This Song Father Used to Sing (Three Days in May) has received multiple awards in Thailand and toured several major international festivals in recent years.