神话中，卡珊德拉拥有预言的能力，却因冒犯神明而被诅咒，使她的预言永不被人相信。古希腊戏剧中，歌队将她的哀歌比作夜莺的歌声，以描绘她预言的悲伤和晦涩。这场演出是对这位“无人听见的少女”的回应。身为舞者和编舞的 Stefania Tansini 在 Motus 的导演下演绎了卡珊德拉的最后时刻，像是一场萨满仪式，融合了女性脆弱感与炽热的复仇精神。卡珊德拉经历了一次隐喻性的冥界之旅，她蜕变了，褪去了纤细的羽毛，变得更加坚韧，低下头准备继续前行。

To the animal sphere, the uncivilised, the wild, is traced Cassandra’s talent as prophetess. From the response of the “unheard young woman” comes the title of this performance-cry, a shamanic rite in which the stereotypical feminine fragility and her fiery spirit of vengeance merge. After the journey to the underworld, she returns to the surface transformed and nourished by the serpentine larvae of the earth, the light feathers gone, she emerges head down ready to continue.